"A book, too, can be a star, 'explosive material, capable of stirring up fresh life endlessly,' a living fire to lighten the darkness, leading out into the expanding universe." - from Madeleine L'Engle's Newberry Medal Acceptance Speech

Sunday, April 26, 2015

Act 1 Scene 1: Conflict and Contrasts through Hyperbole and Oxymoron

Oxymoron and Hyperbole


Review: What's happening in Verona? In your notebook, write a Tweet about it, 1-3 sentences. Use your book. Then share with partner. Discuss and check each other's comprehension; refer back to the text. Share as a class.


Last class we defined puns; how are puns used in 1.1?


Classwork:
In the rest of the scene, we are going to focus on two literary devices you are already familiar with: hyperbole and oxymoron. Be ready to identify examples of these. Each section of the class will be assigned lines from the text; pick a character. Read aloud your lines, and note examples of hyperbole and oxymoron. Write examples in notebook, and write what it means (analysis)
    1. Benvolio or Montague: 120-160;
    2. B and Romeo: 163-202;
    3. B and R: 203-end.


Name: ______________________________  Class: ________________

Oxymorons and Hyperbole (end of 1.1)


Observation/Literary Device + Quotation (act. scene. line numbers, speaker):
Inference/analysis: Who is speaking? What is the character saying? Why? What does this show about his/her thoughts and feelings?

“Many a morning hath he there been seen, / With tears augmenting the fresh morning’s dew, / Adding to clouds more clouds with his deep sighs” (1.1.134-136).
Literary device:

“Why then, O brawling love, O loving hate, / O anything of nothing first create! / O heavy lightness, serious vanity, / Misshapen chaos of well-seeming forms, / Feather of lead, bright smoke, cold fire, sick health, / Still-waking sleep that is not what it is! / This love feel I, that feel no love in this” (1.1.181-187).
Literary device:


“Well in that hit you miss. She’ll not be hit / With Cupid’s arrow. She hath Dian’s wit, / And, in strong proof of chastity well armed / From love’s weak childish bow she lives uncharmed. / She will not stay the siege of loving terms, / Nor bide th’ecounter of assailing eyes, / Nor ope her lap to saint-seducing gold. / O, she is rich in beauty, only poor / That, when she dies, with beauty dies her store” (1.1. 216-224).
Literary device:


“She hath forsworn to love, and in that vow / Do I live dead, that live to tell it now” (1.1.231-232)
Literary device:


  1. What do these examples make you think, feel, and know about Romeo?



  1. What advice does Benvolio give him? What is Romeo’s response?


HW: Read 1.2. Take at least 4 notes on post-its or notebook. Use this format in your notebook:


Observation (act. scene. line numbers):
Inference/analysis:







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