Homework due Monday Sept 12: Read "It's in the Name" and "My Name". Choose 1 to respond to. Reread. Write down:
-3 things you learned (inferences about the narrator, what the author is trying to communicate to readers)
-2 questions you have about it; what don't you understand?; what would you like to discuss further?
-1 or 2 lines you like best; what do they mean?; why do you like them?
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“It’s in the
Name”
Kitty Tsui
I’ve been called
sway
sue
suey
suzy
tissue
ha-chiew.
my father
pronounced it choy
so i grew up saying
choy,
always careful to
add: t-s-u-i.
the first name is
kit fan,
fragrant purity.
but can also mean
marriage.
in chinese, choy
can also mean
hurry, fast, faidee.
i am constantly
chased by the chant
hurry to get
married…
if it’s not bad
enough
it’s in the name
it’s also in the
face.
one day a woman
instructor
insisted i had been
one of her guest
speakers
in a class.
she was so sure of
herself
she had me
convinced
it was during my
alcohol days
when memory was
gone.
genny lim was the
speaker.
it happens all the
time.
orientals so hard
to tell apart.
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the same day
a woman stopped
to wish me a good
opening.
i was not in a play
or an art show.
zand gee, nancy hom
and stephanie lowe
had a three-woman
show.
that’s not all.
I’ve been called
willyce kim,
canyon sam,
louise low.
it happens all the
time.
a newspaper woman
thought
i was willyce kim
for months.
willyce kim gets
called susan kwong.
nellie wong is made
nellie kim
or not mentioned by
name at all.
merle woo is called
merle wong
or smeared as
yellow woman
in a gay male
publication.
it happens all the
time.
it’s in the name.
it’s in the face.
orientals so hard
to tell apart.
our faces,
strong, brown,
different as
the bumps
on the skin of
bittermelon.
our tongues,
sharp and fragrant
as ginger,
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telling our
history,
our experiences
as asian american
women,
workers and poets,
cutting the ropes
that bind us,
breaking from
the silence of
centuries.
to write
our dreams into
action,
give voice to our
visions
and tongues
to our foreparents,
those who entered
at Chinese hospital
or the paper sons
who came by way of
angel island,
forced to take
false names.
the sewing shop
worker,
the secretary,
the doctor,
the deem sum girl,
The lesbian,
the bike messenger,
the typesetter,
the boxer,
the student.
each with a name.
each with a face,
blood, bone,
breath.
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“My Name”
From The House on Mango Street by Sandra Cisneros
In English my name means hope. In
Spanish it means too many letters. It means sadness, it means waiting. It is
like the number nine. A muddy color. It is the Mexican records my father plays
on Sunday mornings when he is shaving, songs like sobbing.
It was my great-grandmother's name
and now it is mine. She was a horse woman too, born like me in the Chinese year
of the horse--which is supposed to be bad luck if you're born female-but I
think this is a Chinese lie because the Chinese, like the Mexicans, don't like
their women strong.
My great-grandmother. I would've
liked to have known her, a wild, horse of a woman, so wild she wouldn't marry.
Until my great-grandfather threw a sack over her head and carried her off. Just
like that, as if she were a fancy chandelier. That's the way he did it.
And the story goes she never
forgave him. She looked out the window her whole life, the way so many women
sit their sadness on an elbow. I wonder if she made the best with what she got
or was she sorry because she couldn't be all the things she wanted to be.
Esperanza. I have inherited her name, but I don't want to inherit her place by
the window.
At school they say my name funny as
if the syllables were made out of tin and hurt the roof of your mouth. But in
Spanish my name is made out of a softer something, like silver, not quite as
thick as sister's name Magdalena--which is uglier than mine. Magdalena who at
least- -can come home and become Nenny. But I am always Esperanza. would like
to baptize myself under a new name, a name more like the real me, the one
nobody sees. Esperanza as Lisandra or Maritza or Zeze the X. Yes. Something
like Zeze the X will do.
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